Join us virtually on Zoom as we dive into another year of captivating weaving history! This conference brings together historians, artists, scholars, and enthusiasts from around the globe to explore the cultural, historical, and artistic significance of handweaving and related fiber arts.
Whether you’re a practicing weaver, an art historian, a museum professional, or simply fascinated by the legacy of textile arts, this event offers inspiration, insight, and a chance to engage with and learn from a vibrant creative community.
2026 Agenda Coming Soon
Registration is now open!
There is a $65 suggested donation, although we greatly appreciate any amount.
2026 Presentations
- Michelle Amos, Little Loomhouse Archives Go Public
- OM Comstock: Allen Fannin and ‘The Black Craftsman Situation’ Community Session
- Maggie D’Aversa & Robin Muller: Making the Invisible Visible – Textiles as Actors in the Slave Era
- Donna Dubinsky: The Joys and the Challenges of Restoring a Jacquard Loom
- Maggy Fragoso: Handwoven Textiles at the 1862 London International Exhibition: A Snapshot of Cabo Verdean Society
- Anita Grey: Threads of Memory and Change: Tatar Women’s Weaving Traditions and the Transformation of Cultural Identity
- Rebekah Marshall: The Labor of Warmth
- Patricia Martin, Passing the Torch; A Report from 12th International Shibori Symposium
- Maryanne Moodie, Tradition in the Warp: Carrying Tapestry Weaving into Contemporary Practice
- Tracy Murphy: The Alling Coverlet Collection, Textiles and Weavers
- Sandra Rux: Spreading the Technology of Patterning Devices for Ingrain Carpets and Coverlets 1790-1840
- Marty Schlabach: David P. Johnson, Scipio NY Coverlet Weaver: Patriarch of the Extended Conger Family of Weavers
- Liz Schott, Dorothy Liebes: I’m with the government and I’m here to help
- Mickey Stam, Weaving in the 1950s
- Susan Torntore: Tracing Tweed Fabrics—One American Fashion Designer, Two British Mills
- Stuti Verma: The Sensory Epistemology of the Kashmiri Shawl: Colonial Textiles, Comfort and Bourgeois Femininity in Nineteenth-Century France
- Allyce Wood: NameDraft Weaving: Coded Messages in the Cloth
FAQ
- How much is it to attend? There is a $65 suggested donation, although we greatly appreciate any amount.
- Is this conference held in person? No, the WHC is entirely virtual and is held over Zoom, so you can attend no matter where you are!
- But I can’t make it to all of the presentations… Not to worry! Everything is recorded and available to attendees for two weeks after the conference ends.
- Can I just attend a certain talk or one specific day? Can do! Everyone will receive the same Zoom link, which is good for all three days of the conference, and can join and leave at will.
- What time zone is the conference held in? The schedule is in EST.
A word about the Weaving History Conference…
In order to celebrate, promote and share academic work on the subject of handweaving, the Historic Manuscripts Conference was founded in 1994. The name was changed to the Weaving History Conference (WHC) later to reflect the expansion of the subject of the conference to contain not just academic weaving presentations, but information on all fiber arts. Today the WHC is entering its impressive 31st consecutive year!
Questions?
email: Marina@tiartscenter.org
phone: (315) 686-4123
Photo credit Sally Orgren
Looking Back: The Weaving History Conference Sharing a love of weaving and the textile arts!
- Conference Attendees
- Norma Smayda, Sonja Wahl, and Mary Snyder
- Examining weave structures in the TIAC collections.
- A group shot on the steps of the museum for Mary Snyder Day.
- Mary Snyder, Pat Hilts, and Sonja Wahl
- Marina Loew and Dennis Mills at the 2019 WHC.
- Nell Znamierowski with Mary Snyder
- Norma Smayda discusses a coverlet at the WHC.
- Peter Harris and Sandra Swarbrick visit the weaving studio.
- Sonja Wahl and Ruth Holroyd in the archives.
- Examining pieces at the 2017 WHC.
- 2014 WHC attendee group photo.












